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Five Years and Five Continents: Completed at Last by John Wigham
"Never again," I said to myself over and over. I must have been out of my mind when I chose Majestic Magnolia, a gorgeous design I simply couldn't resist. It didn't matter to me that I was still a beginner and I had never stitched on linen. I thought I could tackle any project. Today, it's my crowning achievement, one that would take five long years and several trips around the globe to complete.
The chart is barely legible anymore; faded, with coffee stains and who-knows-what-else. I saved it anyway. The magnolia with its creamy white blooms and dark lustrous leaves is a statement of beauty, even prettier that I originally imagined it. But, what a love-hate relationship we've had. "Never again," I repeated, too many times to count. This project wreaked havoc with my emotions, from tears of frustration and disappointment, to an incredible sense of pride and joy in the finished piece.
I was 20 the first time I met anyone who did cross stitch. She was a passenger on one of my flights. Fresh out of college, I had just accepted a job as a flight attendant with a major airline. I don't remember where we were going that day. I only remember walking up and down the aisle of the plane marveling over this woman's devotion to a craft that had always seemed so boring to me. Her work was stunning. I asked questions. I was hooked.
Up until that day, sewing had always been my passion. Self- taught all the way, I made my own clothes in high school, decorated my dorm room in college, sewed costumes for nieces and nephews, and made countless other projects over the years. But my glamorous new career took a toll on my sewing. I was fulfilling a childhood dream to be a flight attendant, jetting off to faraway places. Try as I might, my machine was too heavy to carry on the plane. My sewing was put on hold.
As a flight attendant I had a lot of down time; sitting in hotel rooms in foreign cities, fighting to stay awake in the middle of the night while passengers slept, sitting for hours between flights. I yearned for something to occupy my hands and my mind the way sewing did. I needed to create. Then I met my friend, the passenger who inspired me to try cross stitch. I was simply amazed at what a needle, a simple stitch and colored threads could do in the hands of an artist.
I jumped in with both feet buying cross stitch books and magazines, starter kits, threads, hoops, and anything else I could find. I was determined to learn as much as I could about this wonderful craft. I started with simple projects, and gradually expanded my skills. Before long I became a fairly decent stitcher. I was thrilled. Cross stitch was the perfect pastime for flying; relaxing, creative, and fun. Best of all, it was portable. I could do it anywhere.
And so I did. From Anchorage to Atlanta, and Bali to Bermuda, I stitched and stitched (and ripped out just as often) every chance I could. Mistakes and mishaps were an everyday occurrence. There were lots of pricked fingers. I constantly lost threads and had to replace them. The chart was accidentally thrown in the trash several times, and I left the whole project in more hotel rooms and airplanes around the world than I care to remember. Somehow it always found its way back to me.
Majestic Magnolia was a challenging project for a beginner but I was lured by its beauty. For the most part I had to work in daylight only in order to distinguish between the different shades of cream, ecru, and white flowers which were stitched on cream-colored linen. The leaves too were done in various shades of green. I was humbled and even slightly embarrassed when people would stop to admire my work, but it was always very encouraging.
This particular project will always bring back wonderful memories of my incredible career in the airline industry. What a glorious time in my life. I've had the opportunity to work on my cross stitch in some amazing places; at a park overlooking the Golden Gate Bridge, at a sidewalk cafe in Paris, sipping Italian wine outside the Vatican, and riding a ferry to the Statue of Liberty.
I said I'd never do it again. Famous last words. But I actually have done it again, many times. I'm passionate about cross stitch. I buy charts and kits everywhere I go. The truth is, when I look at my final masterpiece I'm astounded that I was able to create something so beautiful out of a blank canvas, thread and a pattern. Few things give me greater joy!
John Wigham has been a professional author and editor for 20 years and is a co-founder of http://www.patternspatch.com an online cross stitch club dedicated to counted cross stitch. The website has a small team of writers who are passionate about cross stitch and enjoy writing about their hobby.
Article Source: http://www.earticlesonline.com/Article/Five-Years-and-Five-Continents--Completed-at-Last/99614
Are Martha Stewart's Craft Patterns copyrighted?
I want to sell some things I made using one of her patterns. Are they copyrighted? The pattern in question is http://www.marthastewart.com/article/stuffed-animals-how-to
Sorry to disagree, but craft patterns are usually copyrighted (and I'm sure Martha copyrights hers!).
If you look at the small print and also copyright law, you'll see that when you buy a pattern you in fact *can't* then just use it any way you want. You're usually "allowed" to make items for Your Own personal use, and perhaps make some as gifts, but you usually can't SELL more than a certain number of them unless you change something really fundamental about the item's look/techniques/etc or they're fairly common knowledge.
Some companies do go after people selling things with their copyrighted or trademarked images too quite aggressively (like Disney)... others don't care as much, or will never find out if the selling isn't done obviously.
People have been making stuffed animals, including from felt, for a long time though so that basic technique can't be copyrighted... what is copyrighted in this situation would be the exact shape of the animals.
You might want to check out these links too, for more info:
http://uk.answers.yahoo.com/question/index?qid=20090531062420AAUdHzg
http://glassattic.com/polymer/owning_copyrights.htm (there click on "Copyrights, Patents, Trademarks"... the info largely relates to art or craft items)
HTH,
Diane B.
