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Read This Book: Lisa Cohen’s “All We Know” (New Yorker)
I wanted to write and tell you about Lisa Cohen's "All We Know" minutes after
I finished the book, because, given my unqualified enthusiasm, I doubt I'll
make sense about it in the conversations to come. Like all great books (this
one is being published in July; order it now), it will reverberate and
eventually become essentially "languageless" in my mind as it continues to
live as a profound thing in my heart. "All We Know," is an intensely humbling
and troubling read. Cohen's remarkable, sui generis study about three
modernist figures--Esther Murphy, Mercedes de Acosta, and Madge Garland, for
many years a fashion editor at British _Vogue_--is, in part, about dread,
which is to say failure and fear of self-exposure, and how we accommodate our
lives to suit the various shadows splashed by the sun of occasional triumph.
Esther Murphy was the only daughter of the nineteenth-century businessman
Patrick Murphy, who owned Mark Cross, the elegant, understated luggage shop
that is no more. Esther was also the younger sister of Gerald Murphy, he of
the famous friendships in the South of France, and the subject of Calvin
Tomkins classic study, "Living Well Is the ...
New Yorker
